Monday, December 03, 2007

Friday, November 30, 2007

Oggie Oggie Oggie, Oi Oi Oi

Two words that take a substantial amount of cheer out of my life are "Transit" and "Airport". You might as well have said Arun Lal and Rameez Raja. What is it about airports that is so depressing? Douglas Adams usually had a few things to say about the inherent moribundness of airports the world over. Its difficult to put a finger on what exactly it is that is so off-putting.I personally think its the damn carpet. It tends to loom. And the Duty Free shops would be a close second. Which particular duty these shops are bereft of, I am not sure.

And if you put Air India into this mix, it becomes a deadly concoction. For all the bravado about Best West bound airline (so they say), new generation aircraft and lowest fares (THEY LIE), Air India still is a relic of an outmoded belief system alongwith peers like the Premier Padmini taxis in Mumbai, Vikrams in UP and Ambassador cars in the parliament. Will probably do a detailed post on them later. A lot of bile is waiting to be spewed. But today's not that day.


Spent the better part of a day last week in transit in airports and flights en route to Australia. It was a terribly hectic trip, but I must say Melbourne impressed me no end. It is exactly what Mumbai isnt. Sprawling sidewalks, acres and acres open spaces, a clean and picturesque river and lots of parking. They say that the best cities are those which are friendly to pedestrians. Melbourne scores very highly in this regard.

Had a fantastic time doing a guided tour of the MCG. A charming host, quite elderly, erudite and witty, was our guide and took us around the stadium, its various rooms (including the long room), museum. After the latest reconstruction in 2004, the ground presents a stunning picture.
I have been to a watch a few test matches at the Wankhede and compared to the MCG experience, its about as enjoyable as the war on Iraq. I think there is just one reason for that. Cricket Australia respects the spectator where as BCCI does not. For BCCI the word spectator equals Idiot. Also spent some time by myself on the W H Ponsford stand watching the game that was on between New South Wales and Victoria (Nathan Brancken and Stewart Clark on display). What would'nt I give to be back for the Boxing Day test.

Also walked around the Rod Laver Centre (Aussie Open Venue) and Albert Park (Grand Prix track). All in all a day well spent.


MCG as seen from Hotel


Lillee

Grandstand View

Cinemascope View (Bracken Bowling)

Monday, November 12, 2007

The joys of Rediff Comments

One of my lesser known "guilty pleasures" happens to be browsing through the comments section of any old article published by that doyen of NRI oriented websites - Rediff. It generates, among other stuff, an amazing amount of bile, candid observations on the nature of race, religion, purity of blood (or lack thereof), caste and in one bizzare instance the size of the captain's balls (sic).

The comments are refreshingly candid, brutally critical and written in a manner calculated to make you smile and wince at the same time. Here is an example of an extremely astute piece of observation from an old timer no doubt.


RE:Kumble has guts unlike sachin
by Yogaguru on Nov 12, 2007
01:18 PM

In cricket the size of the balls of a captain is
important.Sachin adjusts the balls all the time while he is batting.He suddenly
ducks sometimes to adjust the balls although there was no bouncer at that
time.Do you remember folks?

Such felicity I have not seen since the days of Wodehouse and Waugh. And here is another classic example of astute observation and remarkable pithiness.


Take Half the Indian Populationby Reporter on Nov 12,
2007 02:13 PM

If USA takes half the Indian population, not just the students, India
will be free from over-population and excess competition for
limited food and natural resources. We don't care for brain drain. We have
excess supply of brain here: which itself is not optimally used

Joy unfolds exponentially.

Wednesday, October 31, 2007

Second Wind

I have not written a post for almost four months now and frankly the blog had started to make the transition from a mere lurker in the mind to loomer.

Thought I'd just write a post for the sake of it, add a self deprecatory little profile, muck about with the title and so on just to get the gears in motion again. Work, lately has consumed me for its own. Not necessarily in terms of having to put in long hours at the office or travel but due to a steep rise in the the sheer number of tasks which I would rather not do. Its this conflict between the mind and the matters at hand that prompted the blogger in me to sulk in a corner all this time.

Nevertheless, I am now officially back with this post. Not that it makes the slightest difference in the cosmic scale of things, but it feels good nevertheless.

Monday, June 18, 2007

The lure of the Super Star



There are no weapons of mass destruction in Iraq. Rajnikanth lives in Chennai
~ old tamil proverb





A man who almost invariably plays a fool for most part in all his films, a hopeless romantic, rooted in the traditions of culture and family, with two left feet, a face that would probably be called attractive by a good natured liar, an average physique and not so flattering features. A man, who, save South India is treated with good natured contempt elsewhere and bracketed with lowbrow B-movie stars. His pedigree is at best humble and its been more than a decade since he crossed fifty. You wouldn't bet big on a man like that would you?



Why is it then that Rajnikanth is more bad-ass than all other stars of this country put together and then some? He is cooler than a pre-global warming arctic glacier, he is hipper than Jimmy Hendrix on marijuana and oozes a brand of style that makes James Bond look like Razzak Khan. My favorite part in all of Thalaivar's films is the credits at the beginning. Its like the DC or Marvel logo at the start of a superhero film. Accompanied by the rhythmic shouts of "Hey! hey! hey!" in the background you get "SUPER STAR RAJNI" in huge letters (see pic). What it tells you is that this is a Rajnikanth film. No one else in this film matters. Everyone else is just there to fill in the blanks that Thailavar leaves. If you are the female lead thou shalt be wooed and rescued, if you are the dialogue writer thou shalt give Rajni bad-ass "punch" dialogues to mouth, the story writer shall give Rajni insurmountable odds, the director should see to it that Rajni surmounts them in style. If thou art the baddie, then even God cannot save you.

As I stood outside the Fame Cinema Screen 6 at Inorbit mall this Sunday with tickets to the big Sivaji opening, I couldn't help but eavesdrop into some of the conversations of other people. There was a bunch of guys in the midst of a scholarly discussion on Rajni's "entry" scenes in movies, a genre unto itself. They say Khan is king and AB is emperor. But only Rajni Rules!

A few light years before Wachowskis made Matrix, Rajni had already perfected the art of flying stunts. Remember Guru Sisyan in which Rajni tells the baddies, "ungley yair le parandu parandu adikka poren (I am kick going to kick your ass and levitate simulataneously)" and promptly engages all ten in aerial combat, not once putting feet on the ground. Beat that Neo!

The man has grown old and it shows. They say they had to digitally alter his jawline to make him look younger. His reflexes are slower in the fight scenes and that shows too. He plays, of all things, a 'sofware systems architect' (sic) in this film. But he still wields absolute control over his dominion. To his kick-ass, others merely manage to prod-buttock. To all you non-believers go watch Sivaji- The Boss and tell me if you've seen better WTF scenes. And then try explaining to yourself that Sivaji is expected to top 140 crores in collections.

sixxucu appron seven da, Sivajiku appron yeven da ~ old vivek saying

Was watching Baasha on DVD the other day. The day this dialogue - "yen pare Manickam, yennuku innoru per irukku" fails to give me goose flesh will be the day I win a Nobel Prize in molecular gastronomy.